Dvir Gallery | Uncategorized

September 6, 2018

Contre tout Espoir

Adel Abdessemed, Douglas Gordon, Jonathan Monk, Latifa Echakhch, Lawrence Weiner, Miri Segal, Miroslaw Balka, Pavel Wolberg, Sarah Ortmeyer

On view:

Sep 06^th – Oct 20^th, 2018

Brussels

EXHIBITION VIEWS

Douglas Gordon

exhibition view, ‘Contre tout Espoir’, 2018, Dvir Gallery, Brussels

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ARTWORKS IN THE SHOW

Lawrence Weiner,

‘Anything added to somehting’, 2009, language + the materials referred to, variable dimensions, unique

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Adel Abdessemed

‘Cocorico paintings, Ich bin allein’, 2018, recycled printed metal, 115 x 85 x 3.5 cm, unique

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Miroslaw Balka

’50 x 40 x 27′, 2018, concrete, brick, mirror , 50 x 40 x 27 cm, unique

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Latifa Echakhch

‘Sans titre (jardin exotique)’, 2018, acrylic and concrete paints on canvas aluminium and wooden frame, 200 x 150 cm, unique

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Pavel Wolberg

‘Abkhazia’, 2018, inkjet print, 38x33cm, edition of 3 + 2 AP

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Sarah Ortmeyer

‘SAD EIS (5, SAD EIS SERIES)’, 2012, resin and paint, 140 x 60 x 60 cm, unique

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Sarah Ortmeyer

‘SAD EIS (4, SAD EIS SERIES)’, 2012, resin and paint, 140 x 60 x 60 cm, unique

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Douglas Gordon

‘Independent from August 12, 1999,’ 2011, handmade offset lithograph on igepa archival paper, 53.8 x 71 cm, edition of 24 + 6 AP

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Douglas Gordon

‘Mail from August 12, 1999’, 2011, handmade offset lithograph on igepa archival paper, 53.8 x 62.6 cm, edition of 24 + 6 AP

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Douglas Gordon

‘Times from August 12, 1999’, 2011, handmade offset lithograph on igepa archival paper, 53.8 x 62.6 cm, edition of 24 + 6 AP

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Douglas Gordon

‘Record from August 12, 1999’, 2011, handmade offset lithograph on igepa archival paper, 53.8 x 62.6 cm, edition of 24 + 6 AP

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Douglas Gordon

‘Sun from August 12, 1999’, 2011, handmade offset lithograph on igepa archival paper, 53.8 x 62.6 cm, edition of 24 + 6 AP

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Douglas Gordon

‘Guardian from August 12, 1999’, 2011, handmade offset lithograph on igepa archival paper, 53.8 x 62.6 cm, edition of 24 + 6 AP

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Miri Segal

‘Light Falling’, 2012, perspex mirror, digital print, spotlight, 20 x 70 cm, edition of 6

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February 22, 2017

ARCO Madrid 2017, Dialogues

Simon Fujiwara and Ariel Schlesinger

Opening date: February 22, 2017
Closing date: February 26, 2017

Madrid

June 7, 2018

Group show

Ariel Schlesinger, Douglas Gordon, Latifa Echakhch, Melik Ohanian, Moshe Ninio, Sarah Ortmeyer, Simon Fujiwara

On view:

Jun 06^th – Jul 15^th, 2018

Brussels

EXHIBITION VIEWS

ARTWORKS IN THE SHOW

Melik Ohanian

‘Post-Image, 2013.03.27’, 2014, black and white photograph, 124 x 84 x 3 cm, unique

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Ariel Schlesinger

‘Stolpersteine’, 2017, cement, brass, spray-paint, 10 x 10 x 10 cm (each), unique

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Ariel Schlesinger

‘Stolpersteine’, (detail), 2017, cement, brass, spray-paint, 10 x 10 x 10 cm (each), unique

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Ariel Schlesinger

‘Stolpersteine’, (detail), 2017, cement, brass, spray-paint, 10 x 10 x 10 cm (each), unique

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Ariel Schlesinger,

‘Stolpersteine’, (detail), 2017, cement, brass, spray-paint, 10 x 10 x 10 cm (each), unique

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Simon Fujiwara

‘Cultured Pearls (Cufflink set 06.02 – 12.02)’, 2016, vitrine, pearls, mother of pearl, white gold, 95.5 x 80 x 63 cm, unique

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Simon Fujiwara

‘Cultured Pearls (Cufflink set 06.02 – 12.02)’, (detail), 2016, vitrine, pearls, mother of pearl, white gold, 95.5 x 80 x 63 cm, unique

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Simon Fujiwara

‘Cultured Pearls (Diamond Drops 13.02 – 14.02)’, 2016, pearls, diamonds, white gold, variable dimensions, unique

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Douglas Gordon

‘Self Portrait of You + Me (Elvis eight by two)’, 2017, burned print, smoke and mirror, 145 x 123 x 5 cm, unique

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Latifa Echakhch

‘Untitled (and i ate a lot of powdered sugar)’, 2016, powdered sugar china ink, paper mâché, tea spoon, 22 x 16 x 15 cm (each), unique

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Latifa Echakhch

‘Untitled (and i ate a lot of powdered sugar)’, 2016, powdered sugar china ink, paper mâché, tea spoon, 22 x 16 x 15 cm (each), unique

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Latifa Echakhch

‘Untitled (and i ate a lot of powdered sugar)’, 2016, powdered sugar china ink, paper mâché, tea spoon, 22 x 16 x 15 cm (each), unique

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Latifa Echakhch

‘Untitled (and i ate a lot of powdered sugar)’, 2016, powdered sugar china ink, paper mâché, tea spoon, 22 x 16 x 15 cm (each), unique

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Sarah Ortmeyer

‘NATALIA XVI – II – VII / ALEXANDRA III – I’, 2016, paint on wood, variable dimensions, unique

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Sarah Ortmeyer

‘NATALIA II’, 2016, paint on wood, 35 x 35 cm, unique

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Sarah Ortmeyer,

‘ALEXANDRA III’, 2016, paint on wood, 25 x 25 cm, unique

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Sarah Ortmeyer,

‘NATALIA VII’, 2016, paint on wood, 35 x 35 cm, unique

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Sarah Ortmeyer,

‘ALEXANDRA I,’ 2016, paint on wood, 30 x 30 cm, unique

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Moshe Ninio,

‘Hole / Patch’, 1992, 2 inkjet prints, 89.5 x 74.5 x 5 cm (each), edition of 5 + 2 AP

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Moshe Ninio

‘Hole / Patch’, 1992, inkjet print, 89.5 x 74.5 x 5 cm, edition of 5 + 2

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Moshe Ninio

‘Hole / Patch’, 1992, inkjet print, 89.5 x 74.5 x 5 cm, edition of 5 + 2 AP

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Melik Ohanian

‘Portrait of Duration – Serie II T902 and T0174’, 2016, color photographs, 173 x 150 x 5 cm (each), unique

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Melik Ohanian

‘Portrait of Duration – Serie II T902’, 2016, color photograph, 173 x 150 x 5 cm, unique

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Melik Ohanian

‘Portrait of Duration – Serie II T0174’, 2016, color photograph, 173 x 150 x 5 cm, unique

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May 12, 2018

IN TANDEM WITH THE SANDS

Lawrence Weiner

On view:

May 12^th – Jul 14^th, 2018

Tel Aviv

Press release

EXHIBITION VIEWS

ARTWORKS IN THE SHOW

Lawrence Weiner

‘IN SUCH DISARRAY AS NOT TO BE ABLE TO BE PUT BACK TOGETHER AGAIN YARROW STALKS’, 2018, language + materials referred to, variable dimensions, unique

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Lawrence Weiner,

‘IN TANDEM WITH THE SANDS’, 2018, language + materials referred to, variable dimensions, unique

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Lawrence Weiner

‘IN SUCH DISARRAY AS NOT TO BE ABLE TO BE PUT BACK TOGETHER AGAIN YARROW STALKS’, (detail), 2018, language + materials referred to, variable dimensions, unique

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Lawrence Weiner

‘PLACED WITHIN THE CONTEXT OF AN IMPLOSION’, 2008, language + materials referred, variable dimensions, unique

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May 12, 2018

Group show

Adel Abdessemed, Ariel Schlesinger, Latifa Echakhch, Mircea Cantor, Miri Segal, Miroslaw Balka, Moshe Mirsky, Yudith Levin

On view:

May 12^th – Jul 14^th, 2018

Tel Aviv

EXHIBITION VIEWS

ARTWORKS IN THE SHOW

Mircea Cantor

‘Permanent Leak’, 2016, print, 600x32cm, unique AP from a limited edition of 150 edition numbered and signed prints

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Ariel Schlesinger

‘Untitled (Burnt Canvas 7)’, 2016, burnt canvas, 200 x 140 cm, unique

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Moshe Mirsky

‘Untitled’, 2006, acrylic on canvas, 80 x 80 cm, unique

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Adel Abdessemed

‘Personne’, 2014, black stone on paper, 70 x 90 x 4.5 cm, unique

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Adel Abdessemed

‘Personne’, 2014, black stone on paper, 104 x 143 cm, unique

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Miroslaw Balka

’13 cm AF’, 2015, pencil, myrth, frankincense on cardboard, 208 x 78 x 4 cm, unique

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Yudith Levin

‘Red Pietà’, 1997, acrylic on canvas, 200 × 170 cm, unique

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Adel Abdessemed

‘Personne’, 2014, black stone on paper, 70 x 90 x 4.5 cm, unique

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Miroslaw Balka

‘Otw. 1942 body. Healing’, 2015, pencil, myrth on cardboard, 208 x 148 x 4 cm, unique

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Miroslaw Balka

‘Otw. 1942 skin Healing’, 2015, pencil, myrth on cardboard, 208 x 148 x 4 cm, unique

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Latifa Echakhch

‘Dérives’, 2015 acrylic paint on canvas, 200 x 150 cm, unique

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Latifa Echakhch

‘Dérives’, 2015 acrylic paint on canvas, 200 x 150 cm, unique

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Latifa Echakhch

‘Dérives’, 2015 acrylic paint on canvas, 200 x 150 cm, unique

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Miri Segal

‘Lament’, 2018, 3min40sec, mixed media installation, light bulb, sound, electronics, unique

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Miri Segal

‘Lament’, 2018, 3min40sec, mixed media installation, light bulb, sound, electronics, unique

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Miri Segal

‘Lament’, 2018, 3min40sec, mixed media installation, light bulb, sound, electronics, unique

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October 21, 2016

Fiac 2016

Adel Abdessemed, Miroslaw Balka, Mircea Cantor, Thomas Hirschhorn, David Maljkovic, Matan Mittwoch, Jonathan Monk, Sarah Ortmeyer, Ariel Schlesinger

Opening date: October 21, 2016
Closing date: October 23, 2016

Booth A37

April 4, 2018

Der Aufbruch

Miroslaw Balka

On view:

Apr 19^th – Jun 02^nd, 2018

Brussels

EXHIBITION VIEWS

Miroslaw Balka

‘Eichmann’, 2018, sound piece in loop, 2 white speakers, amplifier

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ARTWORKS IN THE SHOW

Miroslaw Balka

’53 x 37 x 16′, 2018, steel, glass, 53 x 37 x 16 cm, unique

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Miroslaw Balka

’53 x 37 x 16′, 2018, steel, glass, 53 x 37 x 16 cm, unique

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Miroslaw Balka

’50 x 40 x 27′, 2018, concrete, brick, mirror, 50 x 40 x 27 cm, unique

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Miroslaw Balka

’50 x 40 x 27′, 2018, concrete, brick, mirror, 50 x 40 x 27 cm, unique

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Miroslaw Balka

’50 x 40 x 27′, 2018, concrete, brick, mirror, 50 x 40 x 27 cm, unique

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Miroslaw Balka

‘100 x 36 x 27 cm’, 2018, concrete, brick, glass, 100 x 36 x 27 cm, unique

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Miroslaw Balka

‘100 x 36 x 27 cm’, 2018, concrete, brick, glass, 100 x 36 x 27 cm, unique

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Miroslaw Balka

’60 x 60 x 27′, 2018, terrazzo, granit, glass, 60 x 60 x 27 cm, unique

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Miroslaw Balka

’60 x 60 x 27′, 2018, terrazzo, granit, glass, 60 x 60 x 27 cm, unique

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Miroslaw Balka

’60 x 60 x 27′, 2018, terrazzo, granit, glass, 60 x 60 x 27 cm, unique

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Miroslaw Balka

‘510 x 1,2 x 1,2’, 2018, steel rope, glass tube, 510 x 1,2 x 1,2 cm, unique

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Miroslaw Balka

‘510 x 1,2 x 1,2’, 2018, steel rope, glass tube, 510 x 1,2 x 1,2 cm, unique

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Miroslaw Balka

‘SUN’, 2018, ink on paper, unframed, 15 x 21 cm, unique

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January 12, 2018

Dance to the Music of Time

Adel Abdessemed, Douglas Gordon, Jonathan Monk, Latifa Echakhch, Ryan Gander, Yudith Levin

On view:

Jan 12^th – Feb 23^rd, 2018

Brussels

EXHIBITION VIEWS

ARTWORKS IN THE SHOW

Yudith Levin

‘A room with a table’, 1979, acrylic on plywood, laths, reproduction, 240 x 277 cm, unique

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Adel Abdessemed

‘J’ai Peur’, 2017, black chalk on paper, 285 x 520 cm, unique

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Jonathan Monk

‘Untitled (before time)’, 2016, engraved sand stone, 120 x 125 x 4.8 cm, unique + 1AP

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Giovanni Anselmo

‘Particolare’, 1972 – ongoing, single slide projection, variable dimensions, unique

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Giovanni Anselmo

‘Particolare’, 1972 – ongoing, single slide projection, variable dimensions, unique

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Ryan Gander

‘Associate Ghost Template #6 & #7’, 2012, perspex, acrylglass, 125 x 125 x 4.8 cm, unique + 1AP

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On Kawara

‘One Million Years Past-for all those who have lived and died; Future- for the last one’, 1999, two volumes on ivory paper, black leather suitcase, silver/gold embossing, 14.4 x 10.5 cm each, limited edition of 570

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Jonathan Monk

‘My Mother’s Dog Gets Nervous When I Go Home’, 2017, black and white inkjet print mounted on aluminium, 43 x 35.5 x 1.5 cm each, edition of 3 + 1AP

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Douglas Gordon

‘New Colour Empires’, 2006-2010, single channel video, edition of 7+ 1AP

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Giovanni Anselmo

‘Particolare’, 1972 – ongoing, single slide projection, variable dimensions, unique

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Latifa Echakhch

‘Inking (The cardboard suitcase)’, 2014, suitcase, Chinese ink, wooden cloud scenery, canvas, acrylic paint and steel wire, variable dimensions, unique

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Latifa Echakhch

‘Inking (The cardboard suitcase)’, 2014, suitcase, Chinese ink, wooden cloud scenery, canvas, acrylic paint, steel wire, variable dimensions, unique

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James Colenman

‘Connemara landscape’, 1980, single slide projection, 50 x 70 cm, edition of 4 + 1AP

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December 16, 2017

The Perfect Lamina

Adi Fluman

On view:

Dec 16^th, 2017 – Jan 27^th, 2018

Tel Aviv

EXHIBITION VIEWS

ARTWORKS IN THE SHOW

Adi Fluman

‘Untitled (Brooch)’, 2017, inkjet print on paper, glass, mahogany wood, brass, 107 x 72 x 9.5 cm, unique

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Adi Fluman

‘Untitled (Cigarette Case)’, 2017, inkjet print on paper, maple wood, aluminum, 74 x 91 x 12 cm, unique

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Adi Fluman

‘Untitled (Cigarette Case)’, 2017, inkjet print on paper, maple wood, aluminum, 74 x 91 x 12 cm, unique

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Adi Fluman

‘Untitled (Tool Box),’ 2017, inkjet print on paper, oak wood, brass, 157.5 x 294 x 12 cm, unique

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Adi Fluman

‘Untitled (Coin Case)’, 2017, inkjet print on paper, walnut wood, aluminum print, 207.5 x 67.5 x 11 cm, unique

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October 18, 2017

Ariel Schlesinger

Ariel Schlesinger

On view:

Oct 26^th – Dec 23^rd, 2017

Brussels

EXHIBITION VIEWS

Ariel Schlesinger

‘After, All Red’, 2017, red light bulbs, electric chord, sockets, high voltage transformer, variable dimensions, unique

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ARTWORKS IN THE SHOW

Ariel Schlesinger

‘After, All Red’. (detail), 2017, red light bulbs, electric chord, sockets, high voltage transformer, variable dimensions, unique

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Ariel Schlesinger

‘Untitled (burnt paper)’, 2017, archival print, Japanese paper, gesso, 80 x 106 x 7 cm, unique

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Ariel Schlesinger

‘Untitled (burnt paper)’, 2017, archival print, Japanese paper, gesso, 80 x 106 x 7 cm, unique

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Ariel Schlesinger

‘Untitled (burnt paper)’, 2017, archival print, Japanese paper, gesso, 80 x 106 x 7 cm, unique

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Ariel Schlesinger

‘Untitled (Campfire)’, 2017, bronze, wood, 44 x 39 x 10 cm, unique

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Ariel Schlesinger

‘Objet Trouvé (glasses)’, 2017, found glasses in metal, brass plate, 11 x 5 x 12 cm, unique

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Ariel Schlesinger

‘Objet Trouvé (Head)’, 2017, found head in bronze, lamp oil, cotton wick, 25 x 13 x 11 cm, unique

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Ariel Schlesinger

‘Objet Trouvé (Head)’, 2017, found head in bronze, lamp oil, cotton wick, 25 x 13 x 11 cm, unique

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Contre tout Espoir

ARCO Madrid 2017, Dialogues

Group show

IN TANDEM WITH THE SANDS

Group show

Fiac 2016

Der Aufbruch

Dance to the Music of Time

The Perfect Lamina

Ariel Schlesinger

Dvir / Tel Aviv

Dvir / Brussels