Dvir Gallery

February 9, 2019

David Maljkovic at the Renaissance Society, Chicago

Also on view is a solo show by David Maljkovic at the Renaissance Society (at the University of Chicago) / Throughout an ever-shifting body of work, David Maljković returns to “the question of form,” asking how considerations of form itself might illuminate the ebb and flow of ideologies / February 9 – April 19, 2019

February 9, 2019

Adel Abdessemed at Alfonso Artiaco gallery, Naples

“Candele Candelotti e Sei Lumini” is the first exhibition with Adel Abdessemed in Naples at Alfonso Artiaco gallery / February 9 – March 23, 2019 / Opening on Saturday February 9th at 7 pm at Alfonso Artiaco gallery in Piazzetta Nilo, 7 (Naples).

February 5, 2019

Mircea Cantor participating in Ex-East, Espace Neymeier, Paris

The Art Encounters Foundation Timișoara presents Ex-East at Espace Neymeier, Paris / February 5 – March 16, 2019 / Past and recent stories of the Romanian avant-garde, a modern and contemporary art exhibition, under the auspices of the France-Romania Cultural Season and curated by Ami Barak.

February 2, 2019

Matan Mittwoch at Cneai, Pantin

Matan Mittwoch will be participating in the group exhibtion GESTE at Cneai, from February 2nd to March 31st, 2019 / Opening Saturday February 2, from 3pm to 9pm

February 1, 2019

Naama Tsabar at Elevation 1049, Gstaad, Switzerland

Naama Tsabar will be part of the group show Frequencies at Elevation 1049, Gstaad, curated by Neville Wakefield and Olympia Scarry. Frequencies will also convene for the Feb 1–3 opening weekend a series of transitive and ephemeral performances made exclusively by a group of international women artists from different generations and backgrounds, who will present a program of live performances in various indoor and outdoor locations in and around Gstaad./ Opening weekend February 1-3, 2019

January 25, 2019

Miroslaw Balka at White Cube Mason’s Yard

Random Access Memory is Miroslaw Balka’s new installation at White Cube Mason’s Yard / This exhibition is a continuation of his recent practice, and major projects such the Tate Modern Unilever Series commission ‘How It Is’, in 2009. Comprising of a giant steel structure containing a vast dark chamber for the public to explore, the work asked visitors to place considerable trust in the gallery regarding their safety when interacting with the work. It was a result of the artist’s observations on the state of affairs in his native country, across Europe and the rest of the world / On view from 25 January 2019 until 9 March 2019