Simon Fujiwara is participating in ‘Intimacy – New Queer Art from Berlin and Beyond’, a group exhibition at Schwules Museum, Berlin. Opening nights: November 26, 7pm & November 27, 7pm (registration necessary). Exhibition: November 27, 2020 – February 25, 2021
The Jewish Museum on Manhattan’s Upper East Side has installed a multi-story mural at the corner of Fifth Avenue and East 92nd Street. The neon blue artwork was designed by Lawrence Weiner in 2011 and reads “All the stars in the sky have the same face,” in Hebrew, Arabic, and English lettering.
Located at 1109 Fifth Avenue, the Jewish Museum was originally constructed as a private single-family home know as Warburg Mansion.
Mircea Cantor’s sculptures ‘Supposing I could hear that sound. Now’ will be presented on Habima square in Tel Aviv as part of the outdoor exhibition ‘Open Skies’ curated by Avi Lubin and part of the project ‘Loving Art. Making Art’. November 12 – November 14, 2020
Nedko Solakov takes part in the exhibition ‘Diversity United. Contemporary European Art. Moscow. Berlin. Paris.’ at Tretyakov Gallery in Moscow. ‘Diversity United’ showcases the vitality and diversity of the contemporary European art scene since the fall of the Iron Curtain until the present day. The exhibition has brought together works from the genres of painting, sculpture, video and new media, photography, installations, drawing and object art by 80 young and established artists from across the entire continent of Europe. Travelling to Moscow, Berlin and Paris, Diversity United seeks to foster pan-European dialogue, and addresses themes such as freedom, dignity and respect, conflict and dialogue, landscape and power, and political and personal identity. November 11, 2020 – February 21, 2021.
Dor Guez is presenting ‘Lilies of the field’ for the Louis Roederer Discovery Award 2020. The award created by the Rencontres d’Arles and their partners, traditionally presented at the Théâtre Antique during the opening week, will be exceptionally shown and awarded at the headquarters of Kering, a main partner of the Rencontres d’Arles, in the chapel of the former Laennec hospital, 40 rue de Sèvres in Paris, from November 11 to 15.
At the Blaffer Art Museum in Houston, Simon Fujiwara presents a reconstruction of part of the hiding place in which Anne Frank lived, known as the “Secret Annex.” Expanding on his concept of a ‘museum within a museum’ that is regularly updated, Fujiwara presents a new collection of objects that point to the ways capitalism and image culture have been absorbed into all aspects of our lives. October 31, 2020 – March 14, 2021
Twelve poets, songwriters, and text-based artists will contribute a short text, loosely based upon the rules of the poetic form of Haiku, “that expresses their thoughts and ideas on our tumultuous times,” according to the announcement. In case anyone doesn’t remember from elementary school, Haiku is a Japanese poetic form made up of three lines, the first consisting of 5 syllables, the second 7 syllables, and the third 5 syllables. Lawrence Weiner: October 28th – November 4th, 2020
Simon Fujiwara is participating in ‘SITUATIONS/Closure’ at Fotomuseum Winterthur, Switzerland. In the last decades we have witnessed radical changes in our visual culture: with incredible speed, the networked image has spawned new visual forms and cultural practices – with unprecedented social and political implications. Memes and GIFS, selfies and Instagram filters, algorithms and neural networks, screenshots and drone images, net feminism and online visual activism, content moderators, influencers and attention economies: The image-based phenomena of our time have not only altered and expanded photography and its functions, but also challenged our understanding of it. For more than five years, Fotomuseum Winterthur’s format SITUATIONS has scrutinised and discussed these techniques, practices and aesthetics of post-photography.The final and concluding cluster “Closure” focuses on photographic images as both discursive starting points and final end points; as closed loops and iterations without conclusion. Be it in the form of digital data burials, the reappropriation and reoccupation of colonial spaces and viewing regimes, the photographic search for traces to make trauma visible, or the ultimate short-circuit of our networked image economy: the works presented in this cluster negotiate, irritate and challenge photography as a self-contained ideological, capitalist and colonial system. October 24, 2020 – February 14, 2021