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Thomas Hirschhorn at Centre d’Edition Contemporaine, Geneve

Presentation of the facsimile of the publication Les plaintifs, les bêtes, les politiques during Week-end Genève Art Contemporain / Saturday and Sunday, November 11-12, 2017 / from 11 AM till 6 PM / Signing session in the presence of Thomas Hirschhorn on Saturday November 11, 2017 from 1 PM at Centre d’Edition Contemporaine  / More info    

Jonathan Monk and Ariel Schlesinger at Galleria Massimo Minini, Torino

Jonathan Monk and Ariel Schlesinger will be participating in Related things unrelated things related… / Opening: Sunday 5 November 2017, 9.30 am – 12 @ Associazione Barriera,via Crescentino 25, Torino / The artists decided not to consult each other when working towards this exhibition and would only actually see each other works when the installation commences. The hope is that connections might be found and even if there aren’t any obvious references the unrelated will be encouraged or forced to relate when placed side by side… / This is a project by Galleria Massimo Minini in collaboration with Barriera and Fondazione CRT / More info

Lawrence Weiner and Hans-Peter Feldmann participating in ” Take me (I’m Yours)” at Pirelli HangarBicocca

Lawrence Weiner and Hans-Peter Feldmann participating in Take me (I’m Yours) at Pirelli HangarBicocca / From an exhibition idea originally conceived by Hans Ulrich Obrist and Christian Boltanski in 1995. Curated by Christian Boltanski, Hans Ulrich Obrist, Chiara Parisi, Roberta Tenconi / Opening Tuesday 31 October 2017, 7 pm / 1 November 2017 – 14 January 2018 / More info

Miroslaw Balka: CROSSOVER/S

We are pleased to announce the new catalogue CROSSOVER/S – published on the occasion of Miroslaw Balka’s solo show held at Pirelli HangarBicocca. Edited by Vicente Todolí // Texts by Roberto Calasso, Simone Menegoi, Anda Rottenberg // The book reflects the relevance of language in Balka’s work through a critical essay by Anda Rottenberg as well as a detailed chronology of the artist’s solo shows since 1985. To cite the artist: “If you look at my solo exhibitions, if you read title after title, you can follow the ‘line’ of my art.” The publication, edited by Vicente Todolí, also includes a reprint of chapter 7 of the book The Marriage of Cadmus and Harmony (1988) by Roberto Calasso, considered by the artist as a prelude to the motifs and figures to be found in the artist’s work, as well as a critical essay by Simone Menegoi, focusing on the dialectics between the individual and the collectivity. CROSSOVER/S is available for purchase at: Mousse Publishing