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Dance to the Music of Time
Adel Abdessemed, Giovanni Anselmo, James Coleman, Latifa Echakhch, Ryan Gander, Douglas Gordon, On Kawara, Yudith Levin, Jonathan Monk, Brussels, 12 January - 23 February 2018

Dance to the Music of Time : Adel Abdessemed, Giovanni Anselmo, James Coleman, Latifa Echakhch, Ryan Gander, Douglas Gordon, On Kawara, Yudith Levin, Jonathan Monk

Past exhibition
Jonathan Monk, My mother's Dog gets nervous when I go Home, 2017

Jonathan Monk

My mother's Dog gets nervous when I go Home, 2017
black and white inkjet print mounted on aluminium
12 units, 43 x 35.5 x 1.5 cm (each)
Edition of 3 plus 1 artist's proof
Enquire
%3Cdiv%20class%3D%22artist%22%3EJonathan%20Monk%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMy%20mother%27s%20Dog%20gets%20nervous%20when%20I%20go%20Home%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2017%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eblack%20and%20white%20inkjet%20print%20mounted%20on%20aluminium%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E12%20units%2C%2043%20x%2035.5%20x%201.5%20cm%20%28each%29%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%20of%203%20plus%201%20artist%27s%20proof%3C/div%3E
'Piece should have 10 mm distance between each image. each work should not be further from the wall than 10 mm' British artist Jonathan Monk replays, recasts and re-examines seminal...
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"Piece should have 10 mm distance between each image.
each work should not be further from the wall than 10 mm"
British artist Jonathan Monk replays, recasts and re-examines seminal works of Conceptual and Minimal art by variously witty, ingenious and irreverent means.
Speaking in 2009, he said, “Appropriation is something I have used or worked with in my art since starting art school in 1987. At this time (and still now) I realised that being original was almost impossible, so I tried using what was already available as source material for my own work.”
Through wall paintings, monochromes, ephemeral sculpture and pho- tography he reflects on the tendency of contemporary art to devour ref- erences, simultaneously paying homage to figures such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner, while demystifying the creative process.
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