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Salon de Paris
Ariel Schlesinger, Barak Ravitz, David Maljkovic, Dor Guez, Douglas Gordon, Hans-Peter Feldmann, Jonathan Monk, Lawrence Weiner, Lisetta Carmi, Matan Mittwoch, Melik Ohanian, Mircea Cantor, Miroslaw Balka, Naama Tsabar, Nedko Solakov, Pavel Wolberg, Brussels, 21 April - 4 June 2022

Salon de Paris: Ariel Schlesinger, Barak Ravitz, David Maljkovic, Dor Guez, Douglas Gordon, Hans-Peter Feldmann, Jonathan Monk, Lawrence Weiner, Lisetta Carmi, Matan Mittwoch, Melik Ohanian, Mircea Cantor, Miroslaw Balka, Naama Tsabar, Nedko Solakov, Pavel Wolberg

Past exhibition
Sarah Ortmeyer, GRANDMASTER, 2021

Sarah Ortmeyer

GRANDMASTER, 2021
wood, binder, pigment
30 x 30 cm
unique
Copyright The Artist
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The exhibition incorporates the formal elements of chess alongside a series of new paintings and sculptures. In this show, the personification of heaven and hell is also explored through the...
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The exhibition incorporates the formal elements of chess alongside a
series of new paintings and sculptures. In this show, the personification
of heaven and hell is also explored through the artist’s ‘emoji shadow
series,’ a body of work that interrogates the relationship to the origins
of painting, universal language, and iconography. In her paintings
of palm trees, devils, and rainbows, Ortmeyer captures the essence
of the codex as both a type of script and a physical object capable of
existing in nature.

Comprised of all new works in a massive arrangement, ‘FLYRT’ features classic artistic disciplines such as sculpture, painting, and film, developing non-traditional modes of presentation. HUMAN-SIZED CHESSBOARDS are interspersed throughout the three exhibition rooms. The CHESSBOARD PAINTINGS reflect the ethereal colors of the sky. These oversized panels are accompanied by a pair of MINIATURE CHESSBOARDS. The gridded pictures are the latest works in Ortmeyer’s long and continued investigation into chess, emphasizing the aesthetics and dynamics of this iconic sport. Throughout the building and protruding from the walls are chess pieces made of OSTRICH EGGS. Through nature these large female products have developed unique distorted surfaces. Premiering in Kunstverein München’s Kino, the silent movie FLYRT POETICA is the result of Ortmeyer’s long lasting correspondence with a rising teen idol and rapper, during which the pair developed a peculiar collective vocabulary punctuated by the consistent, repeated appearances of sophisticated POEMS, BLACK EMOJIS, DICK PICS, LUXURY ITEMS, NUDES, SPIDERS, FILM STILLS, IDEOGRAMS, LYRICS, SYMPHONIC SCORES, HOLLYWOOD, HEARTS, MUSES and ARTWORKS by artists such as ROSEMARIE TROCKEL, LOUISE
BOURGEOIS, ALMA THOMAS, and ORTMEYER herself. Demonstrating the rapid visually-focused nature of 21st century exchange, Ortmeyer articulates a return to HIEROGLYPHICS, where pictures have become a more immediate and nuanced form of language. This correspondence was collected as a HARDCOVER BOOK and
printed black on silver, a mutual material choice by the rapper and the artist. The book was then transposed into a moving image, to be projected onto the SILVER SCREEN. This procession of HIEROGLYPHS also forms the basis of a new series of painted works on silver paper. Featuring rapid hand-rendered icons of BLACK SPIDERS and BLACK HEARTS, these coded paintings chart a correspondence throughout the exhibition spaces. ‘FLYRT’ combines a system of relentlessly repeated variables varying in size and material, while keeping the core of
being emotionally completely raw.
-------
« Was she a happy mother, a spiritual guru, a secret agent, the wife of someone famous?
Or was she simply one of these female chess champions whose name we had forgotten? From one competition to the next, she lived below dramatic skies. Skies with impossible colors: off colors, off feelings from chaos to infinity. Someone once told her: “We are going through uncomfortably exciting times.” She needed a change in her life, she used to be a champion, and kept on thinking of what was coming next ? I was remembered the other day of her golden ring LXIV (64) she’s been wearing it since I’ve known her. Her idea of permanence and consistency always imbedded in her look. In a bar in New York years ago, a friend said to her: “We are the champions of the champions of the champions...”
The tale of a night with Alexandra, Susan, Natalia, diluted in white liquors.
She felt that throughout the years she kept on collecting data, a great amount of information that could help her win over and over. People recently informed her about this new artificial intelligence system called FaceNet, that claims to recognize
She was intrigued ... . For now on it will be all about “hackers and painters”. The terrifying idea that we couldn’t loose someone or get lost if we wanted to. The comforting idea that faces of loved ones were never to be erased. Like the exquisite marbling on the precious eggs, she composed with a fearless friend. After all she was thinking of moving to a new city or a Greek island or just staying where she was, but much more still than before. » - Julie Boukobza
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Exhibitions

- 'MMXXI', 2021, solo show, Dvir Gallery Brussels
- 'Salon de Paris', group show, 2022, Dvir Gallery Brussels
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 Dvir / Paris

13, rue des Arquebusiers

Paris, 75003, France

T. +33 9 81 07 44 08

paris@dvirgallery.com

 

Gallery Hours

Tuesday – Thursday: 11:00 – 19:00

Friday – Saturday: 12:00 – 19:00

Dvir / Tel Aviv

Shvil HaMeretz 4, 2nd floor

Tel Aviv-Yafo, Israel

T. +972 36 043 003

international@dvirgallery.com

 

Gallery Hours

Thursday: 10:00 – 17:00

Friday –  Saturday: 10:00 – 14:00

And by appointment 

Dvir / Brussels

T. +32 486 54 73 87

production@dvirgallery.com

 
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