The first piece in the Mircea Cantor show at the Chapelle de l’Oratoire, part of the Nantes Museum of Arts, could almost singlehandedly sum up the artist’s praxis. It is a sentence in the form of an anti-slogan, uttered by one of his children, expressing the artist’s wish not to play at being a saviour of humankind, and not to overstep a role which he fondly intended to be a modest one. I Decided Not to Save the World is an example of ventriloquy. The artist got his child to utter it rather than doing so himself, favouring a distanced relation to the world. By highlighting the figure of a child going through many different situations with the same playful and somewhat mischievous smile, Mircea Cantor neutralizes the much-expected solemnity of right-thinking discourse.
Read the full article here
