• Yossi Breger, Black Figure with Dress (Christian Dior), Museum of Contemporary Art, Shanghai, 2013

    Yossi Breger

    Black Figure with Dress (Christian Dior), Museum of Contemporary Art, Shanghai, 2013

    Yossi Breger born 1960, Montreuil sous-bois, France. Lived and worked in Tel Aviv, Israel 1960-2016.   

    Breger’s installation aims to follow the process in which pictures accumulate into content, or into abstract yet simple, coherent system that articulates a surrealist and yet understandable story. His standpoint, including his bodily stance, is eminently evident in each and every image he chooses to photograph, manifesting a combination of passion and reflection. In a formal language that is wonderfully precise, Breger’s gaze harmoniously embraces the personal and the public, life and death; it generates a pictorial and cinematic drama that is a superb depiction of a foundational moment in which, by standing in front of a thing, one captures the conceptual, personal, social and political aspects it embodies.

     

    • Yossi Breger, Things on a Table, Gordon Street, Tel Aviv, 2007
      Yossi Breger, Things on a Table, Gordon Street, Tel Aviv, 2007
    • Yossi Breger, Does (Taxidermy), Stockholm, 2010
      Yossi Breger, Does (Taxidermy), Stockholm, 2010
    • Yossi Breger, Doll Face, Rome, 2010
      Yossi Breger, Doll Face, Rome, 2010
    • Yossi Breger, Dead Lotus Leaf with Water Drops, Yuan-Ming-Yuan Park, Beijing, 2009
      Yossi Breger, Dead Lotus Leaf with Water Drops, Yuan-Ming-Yuan Park, Beijing, 2009
    • Yossi Breger, Mannequin on its Knees, Rome, 2010
      Yossi Breger, Mannequin on its Knees, Rome, 2010
    • Yossi Breger, Black Figure with Dress (Christian Dior), Museum of Contemporary Art, Shanghai, 2013
      Yossi Breger, Black Figure with Dress (Christian Dior), Museum of Contemporary Art, Shanghai, 2013
    • Yossi Breger, Girl (detail from A Shepherdess, Paulus Moreelse, 1630), Stedelijk Museum, Amsterdam, 2013
      Yossi Breger, Girl (detail from A Shepherdess, Paulus Moreelse, 1630), Stedelijk Museum, Amsterdam, 2013
  •  Exhibition view , Yossi Breger, A time for new dreams, 2024 , Dvir gallery Tel aviv

  • Adi Fluman, A évider, 2024

    Adi Fluman

    A évider, 2024
    Adi Fluman born 1987, Rishon LeZion, Israel. Lives and works in Tel Aviv, Israel.
    Fluman’s work investigates the boundaries between representation and source, focusing on the transition from the concrete to the abstract. At first glance, her works appear to be three- dimensional, but in fact they are flat prints created through the manual and sisyphean digital ‘‘weaving’’ of tens of thousands of points that the artist connects to one another through 3D modeling computer software. This meticulous method she uses to create her ‘‘digital trompe l’oeil,’’ triggers the curiosity of the viewer. In sheer contrast with the fast pace usually devoted to today’s consumption of images, especially digital, Fluman’s work creates moments of disorienting contemplation. Her works deal with the power of material objects and their capability to convey what appears to be immaterial. 
     
  • Gideon Gechtman, Moonshine, 1992

    Gideon Gechtman

    Moonshine, 1992

    Gideon Gechtman was a trailblazer in Conceptual art during the 1970s and stood out as one of the most influential and innovative figures in Israeli art. His work encompassed a wide range of artistic mediums and was deeply intertwined with themes of illness, his impending death, bereavement, memory, and the idea that art, with its enduring nature, could serve as a means of perpetuation. Gechtman envisioned his artworks as a kind of mausoleum, designed to preserve his creative legacy long after his passing.

    • Gideon Gechtman, Cells, 1985
      Gideon Gechtman, Cells, 1985
    • Gideon Gechtman, Wedding, 1980
      Gideon Gechtman, Wedding, 1980
  • Admahon Galor

    • Admahon Galor Mekonen, Untitled, 2024
      Admahon Galor Mekonen, Untitled, 2024
    • Admahon Galor Mekonen, Untitled, 2024
      Admahon Galor Mekonen, Untitled, 2024
    • Admahon Galor Mekonen, Untitled, 2024
      Admahon Galor Mekonen, Untitled, 2024
    • Admahon Galor Mekonen, Untitled, 2024
      Admahon Galor Mekonen, Untitled, 2024
  • Yudith Levin, Arrow (Folded), 1975

    Yudith Levin

    Arrow (Folded), 1975

    Yudith Levin born 1949, Ein Vered, Israel, where she lives and works.

    Levin is considered one of the key figures in Israeli art. Over an artistic career spanning over more than four decades, she has been creating paintings on both traditional and nontraditional supports, covering canvases as well as scraps of discarded plywood found on the streets of Tel Aviv with expressive, gestural brushstrokes and semi-abstract figures and landscapes. By combining abstraction and figuration and using deliberately vague titles, Levin makes evocative works that are open to varied readings. The artist confronts the viewer with a borderline painting – in-between nothingness and a whole universe, between chaos and diamond, between a dump and flight. One of the places where Levin’s work deviates from the rational is the lack of distinction between figurative and abstract. Her figurative paintings are created like abstract paintings, from gestures which are not underlain by any figurative plan or intention. Ouzi Zur, the most prominent critic of Haaretz newspaper, described Yudith Levin in 2021 as 'The Purest Voice in Israeli Art'.

  • Eliyahu Fatal / Eli Petel, Reverse, 2006
     

    Eliyahu Fatal

    Reverse, 2006
    Eliyahu Fatal born 1974, Jerusalem, Israel. Lives and works in Tel Aviv, Israel.
    Fatal is a conceptual multidisciplinary artist mixing different mediums such as painting, sculpture, sound, video and prints. His work deals with questions of visual perception and cultural and social taste. This is accomplished while looking at the history of Western art and at Israeli society as they appear in the world of media. He also examines the representation of aspects such as Orientalism, Judaism, law, media, technology within Israeli society. Most of Fatal’s works appear as an incarnation of a pictorial action, whether in photography, sound, projection, or painting. 
     
    • Eliyahu Fatal / Eli Petel, Baab El Yahud, 2024
      Eliyahu Fatal / Eli Petel, Baab El Yahud, 2024
    • Eliyahu Fatal / Eli Petel, היהיה, 2024
      Eliyahu Fatal / Eli Petel, היהיה, 2024
  • Exhibition view, Blessings and curses; blessings, Dvir Gallery Tel Aviv

  • Shira Zelwer, Queen Anna’s Lace, 2024

    Shira Zelwer

    Queen Anna’s Lace, 2024

    I use art to glorify ordinary subjects and instances and thus compel the observer to focus on them in detail. I sculpt with raw wax, constantly exploring new ways to manipulate it and once shaped I paint them. The painting process brings the sculptures back to life, I paint the sculptures in a very precise and detailed manner, however, not perfect, imitating life. I would like to allow the observer, when facing my subjects, often common objects, experience desire and compassion towards them.”

     

    -Shira Zelwer

  • Elham Rokni, The crying man, 2024

    Elham Rokni

    The crying man, 2024
    Elham Rokni born1980, Iran. Lives and works in Israel. 
    Rokni was born in Iran in 1980, just after the Islamic revolution, and grew up in Tehran. Her family immigrated to Israel when she was nine years old, knowing they will never be allowed to return to Iran again. In this project, Rokni photographs her father crying every year to the song of Iranian singer Pramerz Aslani's If One Day. Rokni engages emotional manipulations towards her father thus examining their relationship while raising issues of immigration, masculinity and aging.
    The Crying Man consists of fifteen videos taken between the years 2007-2022 in different places (home, garden, studio, car, shop, museum, gallery).
  • Barak Ravitz, Shard, 2024

    Barak ravitz

    Shard, 2024
    Barak Ravitz born 1982, Tel Aviv, Israel, where he lives and works. 
    Ravitz often utilizes everyday objects, to produce his minimal, highly esthetic works. The artist relies on the sculptural attributes of readymade and found objects, driven by his interest in the industrial and global aspects of commodities: their designation, consumption, distribution, and adaptation to local markets. The works always showcase a universal classic beauty, but upon deeper reflection one realizes how very connected his visual language is to his place of birth. There is a deeply local symbolism in Barak’s body of works, that surprisingly, is immediately understood by international viewers.
  • Barak Ravitz, Serenity, 2024

    Barak Ravitz

    Serenity, 2024
    Inkjet on archival paper, laser cut metal plate, fluorescent, threaded rods, magnets

    35 x 58 x 7.5 cm

    unique
  • Eliyahu Fatal / Eli Petel

    Baab El Yahud, 2024 oil on canvas
    220 x 240 cm
    unique