• OSHAY GREEN

    OSHAY GREEN

    Oshay Green, a self-taught artist from Dallas, creates immersive installations and sculptures that draw from West African religion, metaphysics, voudon beliefs, and jazz. His works, made from humble materials like discarded fabric and metal scraps, evoke mysticism and spirituality, inviting viewers to engage their senses and contemplate themes of creation, death, and rebirth.
     
    Green's improvisational approach, influenced by jazz artists like Pharaoh Sanders and Sun Ra, allows him to explore freedom and liberation in his creative process. His pieces often reflect on personal experiences and cultural influences, such as Helena Blavatsky's The Secret Doctrine, which informs his sculpture Mundane Egg (2021). Through experimentation and trial and error, Green transforms everyday objects into powerful symbols, inviting viewers to explore new creative territories and contemplate their own narratives within his artworks.
    • Oshay Green, Passages, 2021
      Oshay Green, Passages, 2021
    • Oshay Green, Passages, 2021
      Oshay Green, Passages, 2021
    • Oshay Green, Passages, 2021
      Oshay Green, Passages, 2021
  • DOUGLAS GORDON

    DOUGLAS GORDON

    Douglas Gordon born 1966, Glasgow, Scotland. Lives and works in Berlin, Glasgow and Paris.
    Gordon’s practice encompasses video, film, installation, sculpture, photography and text. Through his work, the artist investigates human conditions of memory, passage of time, ambiguity and the disruption of the normal as well as the binary nature and the tendency to split things into opposites: black / white, good / evil. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998.
     
    Gordon’s work has been exhibited globally, in major solo exhibitions including: the Museum of Modern Art in New York, USA; TATE Britain in London, UK; Musée d’Art moderne de la Ville de Paris, France; ARoS Aarhus Art Museum in Denmark; Dunedin Public Art Gallery in New Zealand; Prisons of the Palazzo Ducale in Venice, Italy; K20, Kunstsammlung Nordrhein-Westfalen in Düsseldorf, Germany; the Tel Aviv Museum of Art in Israel; the National Gallery of Scotland in the UK; the Hayward Gallery in London, UK; as well as the MOCA in Los Angeles and the Neue Nationalgalerie in Berlin, Germany. His film works have been invited to the Festival de Cannes, Toronto International Film Festival (TIFF), Venice Film Festival, Edinburgh International Film Festival, BFI London Film Festival, Festival del Film Locarno, New York Film Festival, among many others.
  • Douglas Gordon, Belongs to…, 2020
  • YUDITH LEVIN

    YUDITH LEVIN

    Yudith Levin born 1949, Ein Vered, Israel, where she lives and works.
    Levin is considered one of the key figures in Israeli art. Over an artistic career spanning over more than four decades, she has been creating paintings on both traditional and nontraditional supports, covering canvases as well as scraps of discarded plywood found on the streets of Tel Aviv with expressive, gestural brushstrokes and semi-abstract figures and landscapes. By combining abstraction and figuration and using deliberately vague titles, Levin makes evocative works that are open to varied readings. The artist confronts the viewer with a borderline painting – in-between nothingness and a whole universe, between chaos and diamond, between a dump and flight. One of the places where Levin’s work deviates from the rational is the lack of distinction between figurative and abstract. Her figurative paintings are created like abstract paintings, from gestures which are not underlain by any figurative plan or intention. Ouzi Zur, the most prominent critic of Haaretz newspaper, described Yudith Levin in 2021 as 'The Purest Voice in Israeli Art'.
    • Yudith Levin, Untitled, 1987
      Yudith Levin, Untitled, 1987
    • Yudith Levin, Buttocks, 1997
      Yudith Levin, Buttocks, 1997