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Salon de Paris
Ariel Schlesinger, Barak Ravitz, David Maljkovic, Dor Guez, Douglas Gordon, Hans-Peter Feldmann, Jonathan Monk, Lawrence Weiner, Lisetta Carmi, Matan Mittwoch, Melik Ohanian, Mircea Cantor, Miroslaw Balka, Naama Tsabar, Nedko Solakov, Pavel Wolberg, Brussels, 21 April - 4 June 2022

Salon de Paris: Ariel Schlesinger, Barak Ravitz, David Maljkovic, Dor Guez, Douglas Gordon, Hans-Peter Feldmann, Jonathan Monk, Lawrence Weiner, Lisetta Carmi, Matan Mittwoch, Melik Ohanian, Mircea Cantor, Miroslaw Balka, Naama Tsabar, Nedko Solakov, Pavel Wolberg

Past exhibition
Mircea Cantor, Chaplet (9/11), 2017

Mircea Cantor

Chaplet (9/11), 2017
ink fingerprints on newspaper, framed
37 x 30 x 3 cm
unique
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Chaplet (a string of beads for counting prayers) is the representation of barbed wire imprinted directly onto the newspaper by the artist’s ngers dipped in ink. This line, with its...
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Chaplet (a string of beads for counting prayers) is the representation of barbed wire imprinted directly onto the newspaper by the artist’s ngers dipped in ink. This line, with its unequivocal motive, is displayed in a strangely expressive manner. The multiple ngerprints give a striking feeling of the body’s strength, while the pattern is obviously a symbol of violence and coercion that prevents freedom for human beings. The aggressive form, with its peaks and its tension, is here violently linked to the tender and sensitive esh of the ngertips. At yet another level, this refers to the question of surveillance, such as biometric identi cation. Our contemporary societies are full of invisible barriers and increasingly insuperable restrictions, which have become in the past few years the new border guards, while most of the walls have collapsed or dream of doing so.
Chaplet (a string of beads for counting prayers) is the representation of barbed wire imprinted directly onto the newspaper by the artist’s ngers dipped in ink. This line, with its unequivocal motive, is displayed in a strangely expressive manner. The multiple ngerprints give a striking feeling of the body’s strength, while the pattern is obviously a symbol of violence and coercion that prevents freedom for human beings. The aggressive form, with its peaks and its tension, is here violently linked to the tender and sensitive esh of the ngertips. At yet another level, this refers to the question of surveillance, such as biometric identi cation. Our contemporary societies are full of invisible barriers and increasingly insuperable restrictions, which have become in the past few years the new border guards, while most of the walls have collapsed or dream of doing so.
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Exhibitions

- MIART, Art Fair, 2018, Milan (Italy) 

- 'Salon de Paris', group show, 2022, Dvir Gallery Brussels

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 Dvir / Paris

13, rue des Arquebusiers

Paris, 75003, France

T. +33 9 81 07 44 08

paris@dvirgallery.com

 

Gallery Hours

Tuesday – Thursday: 11:00 – 19:00

Friday – Saturday: 12:00 – 19:00

Dvir / Tel Aviv

Shvil HaMeretz 4, 2nd floor

Tel Aviv-Yafo, Israel

T. +972 36 043 003

international@dvirgallery.com

 

Gallery Hours

Thursday: 10:00 – 17:00

Friday –  Saturday: 10:00 – 14:00

And by appointment 

Dvir / Brussels

T. +32 486 54 73 87

production@dvirgallery.com

 
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